More Details

Table of Contents:

• Gais et jolis : ballade 35 (5:18)
• Dous amis, oy mon complaint : ballade 6 (5:49)
• Dame, je vueil endurer : virelai 9 (2:40)
• Trop plus est bele/Biauté paree de valour/Je ne sui mie : motet 20 (1:52)
• Douce dame, tant com vivray : rondeau 20 (3:09)
• Dou mal qui m'a longuement : virelai 8 (2:59)
• Comment puet on miex ses maus dire : rondeau 11 (3:52)
• Dame, vostre dous viaire : virelai 17 (5:35)
• Hé! Mors!/Fine Amour/Quare non sum mortuus : motet 3 (2:26)
• Dame, mon cuer enportez : virelai 32 (5:14)
• Riches d'amour : ballade 5 (5:16)
• Helas! pour quoy virent/Corde mesto/Libera me : motet 12 (3:16)
• Puis que ma dolour agree : virelai 7 (6:40)
• Honte, paour, doubtance : ballade 25 (6:10).

Author/Creator:

Guillaume, de Machaut, approximately 1300-1377 , composer

Contributors:

Orlando Consort , singer, http://id.loc.gov/vocabulary/relators/sng

Languages:

French, Old (ca. 842-1300)
Latin

Language Notes:

Sung in Old French; motets include voices with Latin text.

Main Work:

Vocal music [of Guillaume, de Machaut] (Selections)

Included Works:

Gais et jolis [by Guillaume, de Machaut]

Doulz amis, oy mon compleint [by Guillaume, de Machaut]

Dame, je weil endurer [by Guillaume, de Machaut]

Trop plus est bele/Biaute paree/Je ne sui mie [by Guillaume, de Machaut]

Douce dame, tant com vivray [by Guillaume, de Machaut]

Dou mal qui m'a longuement [by Guillaume, de Machaut]

Comment puet on mieus [by Guillaume, de Machaut]

Dame, vostre doulz viaire [by Guillaume, de Machaut]

He, Mors, com tu es haïe/Fine Amour, qui me vint navrer/Quare non sum mortuus [by Guillaume, de Machaut]

Dame, mon cuer emportés [by Guillaume, de Machaut]

Riches d'amour et mendians [by Guillaume, de Machaut]

Helas! pour quoy/Corde mesto/Libera me [by Guillaume, de Machaut]

Puis que ma dolour agree [by Guillaume, de Machaut]

Honte, paour, doubtance [by Guillaume, de Machaut]

Other Related Resources:

Source record: Fortune's child [by Guillaume, de Machaut] (London : Hyperion Records, [2018] — LCCN 2018629380; OCLC Number 1030819163)

Related Series:

Orlando Consort Machaut edition

Subjects:

Polyphonic chansons

Motets

Monophonic chansons

Genres:

Ballades (Formes fixes)

Virelais (Formes fixes)

Rondeaux (Formes fixes)

Motets

Performers:

Orlando Consort (Matthew Venner, countertenor ; Mark Dobell, Angus Smith, tenor ; Donald Greig, baritone).

Performance Medium:

1 performer: singer
2 performers: singer (2)
3 performers: singer (3)
1 performer: voice
2 performers: voice (2)
3 performers: voice (3)

General Notes:

Ballades, virelais, rondeaus, and motets performed by 1 to 3 singers.
Recorded 2016 April 27-29, Parish Church of St John the Baptist, Loughton, Essex.
Description based on: Hard copy version record.

Creator Demographics:

Composer: French
Composer: Men

Physical Description:

1 online resource (1 sound file).

Audio Characteristics:

digital

Digital Characteristics:

audio file

Call Numbers:

Online Audio

Other Standard Numbers:

International Standard Recording Code: GBAJY2219501
International Standard Recording Code: GBAJY2219502
International Standard Recording Code: GBAJY2219503
International Standard Recording Code: GBAJY2219504
International Standard Recording Code: GBAJY2219505
International Standard Recording Code: GBAJY2219506
International Standard Recording Code: GBAJY2219507
International Standard Recording Code: GBAJY2219508
International Standard Recording Code: GBAJY2219509
International Standard Recording Code: GBAJY2219510
International Standard Recording Code: GBAJY2219511
International Standard Recording Code: GBAJY2219512
International Standard Recording Code: GBAJY2219513
International Standard Recording Code: GBAJY2219514
International Standard Recording Code: GBAJY2219515
International Standard Recording Code: GBAJY2219516
International Standard Recording Code: GBAJY2219517
International Standard Recording Code: GBAJY2219518
International Standard Recording Code: GBAJY2219519
International Standard Recording Code: GBAJY2219520
International Standard Recording Code: GBAJY2219521
International Standard Recording Code: GBAJY2219522
International Standard Recording Code: GBAJY2219523
International Standard Recording Code: GBAJY2219547
International Standard Recording Code: GBAJY2219546
International Standard Recording Code: GBAJY2219545
International Standard Recording Code: GBAJY2219544
International Standard Recording Code: GBAJY2219543
International Standard Recording Code: GBAJY2219542
International Standard Recording Code: GBAJY2219541
International Standard Recording Code: GBAJY2219540
International Standard Recording Code: GBAJY2219539
International Standard Recording Code: GBAJY2219538
International Standard Recording Code: GBAJY2219537
International Standard Recording Code: GBAJY2219536
International Standard Recording Code: GBAJY2219535
International Standard Recording Code: GBAJY2219534
International Standard Recording Code: GBAJY2219533
International Standard Recording Code: GBAJY2219532
International Standard Recording Code: GBAJY2219531
International Standard Recording Code: GBAJY2219530
International Standard Recording Code: GBAJY2219529
International Standard Recording Code: GBAJY2219528
International Standard Recording Code: GBAJY2219527
International Standard Recording Code: GBAJY2219526
International Standard Recording Code: GBAJY2219525
International Standard Recording Code: GBAJY2219524
Publisher Number, Hyperion: 00034571102641

OCLC Numbers:

1483698392