More Details

Table of Contents:

• S'il estoit nuls / S'Amours tous / Et gaudebit cor vestrum : motet 6, 3vv (2:11)
• On ne porroit penser : ballade 3, 2vv (4:06)
• Dame, se vous m'estes lonteinne : ballade 37, 1vv (3:04)
• Moult sui de bonne heure nee : virelai 31, 2vv (4:56)
• Ne pensez pas, dame, que je recroie : ballade 10, 2vv (2:42)
• En demantant et lamentant : lai 17/24, 3vv (17:42)
• Mes esperis se combat : ballade 39, 3vv (6:57)
• J'aim sans penser laidure : virelai 14, 1vv (2:24)
• Ma fin est mon commencement : rondeau 14, 3vv (6:02)
• C'est force, faire le vueil : virelai 16, 1vv (4:26)
• Je puis trop bien ma dame comparer : ballade 28, 3vv (3:42)
• Tant doucement m'ont attrait / Eins que ma dame / Ruina : motet 13, 3vv (2:27).

Author/Creator:

Guillaume, de Machaut, approximately 1300-1377 , composer

Contributors:

Orlando Consort , singer, http://id.loc.gov/vocabulary/relators/sng

Languages:

French, Middle (ca. 1300-1600)

Language Notes:

Sung in Middle French.

Main Work:

Vocal music [of Guillaume, de Machaut] (Selections)

Included Works:

S'il estoit nulz/S'amours tous/Et gaudebit cor vestrum [by Guillaume, de Machaut]

On ne porroit penser [by Guillaume, de Machaut]

Dame, se vous m'estés lonteinne [by Guillaume, de Machaut]

Moult sui de bonne heure nee [by Guillaume, de Machaut]

Ne pensés pas, dame, que je recroie [by Guillaume, de Machaut]

En demantant et lamentant [by Guillaume, de Machaut]

Mes esperis se combat [by Guillaume, de Machaut]

J'aim sans penser laidure [by Guillaume, de Machaut]

Ma fin est mon commencement [by Guillaume, de Machaut]

C'est force, faire le weil [by Guillaume, de Machaut]

Je puis trop bien ma dame comparer [by Guillaume, de Machaut]

Tant doucement m'ont attrait/Eins que ma dame/Ruina [by Guillaume, de Machaut]

Other Related Resources:

Source record: Lion of nobility [by Guillaume, de Machaut] (London : Hyperion, [2021] — OCLC Number 1229894998)

Related Series:

Orlando Consort Machaut edition

Subjects:

Polyphonic chansons

Songs, French — France — 14th century

Virelais (Polyphonic chansons)

Rondeaux (Polyphonic chansons)

Motets

Ballades (Polyphonic chansons)

1300-1399

Songs, French

France

Genres:

Polyphonic chansons

Virelais (Formes fixes)

Rondeaux (Formes fixes)

Motets

Ballades (Formes fixes)

Songs

Performers:

The Orlando Consort (Matthew Venner, countertenor ; Mark Dobell, Angus Smith, tenor ; Donald Greig, baritone).

Performance Medium:

1 ensemble: solo vocal ensemble
1 performer: singer

General Notes:

Recorded 2019 March 26-28 Parish Church of St John the Baptist, Loughton, Essex.
Description based on: Hard copy version record.

Physical Description:

1 online resource (1 sound file).
France
Place of capture: Loughton (Essex, England)

Audio Characteristics:

digital

Digital Characteristics:

audio file

Call Numbers:

Online Audio

Other Standard Numbers:

International Standard Recording Code: GBAJY2226101
International Standard Recording Code: GBAJY2226104
International Standard Recording Code: GBAJY2226103
International Standard Recording Code: GBAJY2226102
International Standard Recording Code: GBAJY2226105
International Standard Recording Code: GBAJY2226106
International Standard Recording Code: GBAJY2226107
International Standard Recording Code: GBAJY2226108
International Standard Recording Code: GBAJY2226109
International Standard Recording Code: GBAJY2226110
International Standard Recording Code: GBAJY2226111
International Standard Recording Code: GBAJY2226112
International Standard Recording Code: GBAJY2226116
International Standard Recording Code: GBAJY2226117
International Standard Recording Code: GBAJY2226118
International Standard Recording Code: GBAJY2226119
International Standard Recording Code: GBAJY2226150
International Standard Recording Code: GBAJY2226149
International Standard Recording Code: GBAJY2226148
International Standard Recording Code: GBAJY2226147
International Standard Recording Code: GBAJY2226146
International Standard Recording Code: GBAJY2226145
International Standard Recording Code: GBAJY2226144
International Standard Recording Code: GBAJY2226143
International Standard Recording Code: GBAJY2226142
International Standard Recording Code: GBAJY2226141
International Standard Recording Code: GBAJY2226140
International Standard Recording Code: GBAJY2226139
International Standard Recording Code: GBAJY2226138
International Standard Recording Code: GBAJY2226137
International Standard Recording Code: GBAJY2226136
International Standard Recording Code: GBAJY2226135
International Standard Recording Code: GBAJY2226134
International Standard Recording Code: GBAJY2226133
International Standard Recording Code: GBAJY2226120
International Standard Recording Code: GBAJY2226113
International Standard Recording Code: GBAJY2226114
International Standard Recording Code: GBAJY2226132
International Standard Recording Code: GBAJY2226131
International Standard Recording Code: GBAJY2226130
International Standard Recording Code: GBAJY2226129
International Standard Recording Code: GBAJY2226128
International Standard Recording Code: GBAJY2226127
International Standard Recording Code: GBAJY2226126
International Standard Recording Code: GBAJY2226125
International Standard Recording Code: GBAJY2226124
International Standard Recording Code: GBAJY2226123
International Standard Recording Code: GBAJY2226122
International Standard Recording Code: GBAJY2226121
International Standard Recording Code: GBAJY2226115
Publisher Number, Hyperion: 00034571102610

OCLC Numbers:

1483696597