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Summary:

"The depiction of New York City in song across a variety of different genres, focusing on jazz genres, as well as the work of both New York born artists like Billy Joel or Lin-Manuel Miranda and artists living most of their life in New York City like Shinehead or Debbie Harry, that are intimately connected with the city. The book analyzes songs written about New York City, and engage with the depiction of the city within them, but mainly use it as a way to deal with several musical genres that the city has been home to, and instrumental in developing. These include the musical theatre scene on Broadway and beyond, but also early 20th century sheet music, hip hop, disco, punk, dancehall, jazz, swing, rock or pop music. The collection includes essays from authors with a cultural studies, media studies, cultural history or musicology background, making possible a far-ranging treatment of the interconnection of the city space and its musical history." -- Publisher's description

Table of Contents:

• "New York's Tin Pan Alley in Two and a Half Songs: Immigrants and the New York Music Industry between the 1890s and 1910s / Veronika Keller
• 'The Milkman's on His Way': 'Lullaby of Broadway' and the Illusion of New York / Chris Flinterman
• Sweet Charity, Musical Cosmopolitanism, and New York City / Nick Braae
• Of Promises and Prisons: Ambivalent Visions of the Big Apple in The Last Poets' 'On the Subway' and 'New York, New York' / Martin Butler and Marek Jeziński
• 'I, Too, Sing New York': Gil Scott-Heron from 'New York City' to 'New York is Is Killing Me' / Justin Patch
• 'An Atmosphere Where Anything Is Allowed': Patti Smith's Horses and 1970s New York Punk / Ryan Donovan Purcell
• No Place Like New York: Diana Ross's 'Home' (1978) from The Wiz / Jaap Kooijman
• The Vibe, Vocality and Vitality of Billy Joel's 'New York State Of Mind' / Diane Hughes
• The Lights Are Out on the Mean Streets: Lou Reed's 'Dirty Blvd.' and Inequality in New York City / Stephen Petrus
• Anthrax and Public Enemy 'Bring the Noise': The Musical Collaboration That Helped Define a New New York Sound / Ben Quail
• Forgotten No Longer: Staten Island, 'C.R.E.A.M.' and the Emergence of the Wu-Tang Clan / Brianna Quade
• Shinehead's 'Jamaican in New York': The Circularity of Jamaican and African American Cultural Practice and Reggae's Resonance in Hip Hop from The Bronx to Brooklyn, and Beyond / James Barber
• 'A Different Kind of Apple Now': David Rudder's 'The Immigrants' and 'Forty- One Bullets' / Alison Mc Letchie
• 'It Tells the Truth, and Things That Tell the Truth Tend to Last': Anthony Rapp on Jonathan Larson's RENT / Sabrina Mittermeier and Anthony Rapp
• 'Life's Ill, Sometimes Life Might Kill': Cannibal Ox's The Cold Vein / Alex de Lacey
• 'North of 96th Street': Latinx Class Mobility and In the Heights by Lin-Manuel Miranda and Quiara Alegría Hudes / Elena Machado Sáez
• 'Lighters Up': Lil' Kim's Ode to Brooklyn: 'In the Concrete 181 Jungle, the Strong Stand and Rumble' / Emma Horrex
• Citing the Past as a Political Resource against Donald Trump: Performing Punk and Queer Feminism in Blondie's Music Video Doom or Destiny / Lene Annette Karpp.

Contributors:

Keller, Veronika , editor

Mittermeier, Sabrina , editor

Languages:

English

Language Notes:

Item content: English

Subjects:

Music — New York (State) — New York — 19th century — History and criticism

Music — New York (State) — New York — 20th century — History and criticism

Music — New York (State) — New York — 21st century — History and criticism

Genres:

Music criticism and reviews

General Notes:

Includes bibliographical references and index.

Physical Description:

vi, 214 pages : illustration ; 25 cm

Call Numbers:

ML200.8.N5 F76 2024

ISBNs:

9781789389906 (hardcover)
1789389909 (hardcover)
9781789389913 (electronic book) [Invalid]

OCLC Numbers:

1423045448