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Summary:

For decades performers, instrumentalists, composers, technicians and sound engineers continue to manipulate sound material. They are trying with more or less success to create, to innovate, improve, enhance, restore or modify the musical message. The sound of distorted guitar of Jimi Hendrix, Pierre Henry's concrete music, Pink Flyod's rock psychedelic, Kraftwerk 's electronic music, Daft Punk and rap T-Pain, have let emerge many effects: reverb, compression, distortion, auto-tune, filter, chorus, phasing, etc. The aim of this book is to introduce and explain these effects and sound treatments by addressing their theoretical and practical aspects.

Table of Contents:

• Chapter 1. Sound, and a few theories; Chapter 2. Sound dissemination and listening; Chapter 3. Types of effects; Chapter 4. Filtering effects; Chapter 5. Moduling effects; Chapter 6. frequential effects; Chapter 7. Dynamic effects; Chapter 8. Temporal effects; Chapter 9. Combined effects; Chapter 10. The uncategorisable; Chapter 11. Equipments and software.

Author/Creator:

Reveillac, Jean-Michel , author

Languages:

English

Language Notes:

Item content: English

Main Work:

Musical sound effects: analog and digital sound processing [by Reveillac, J.M.]

Related Series:

Waves series

Subjects:

Sound — Recording and reproducing

Sound — Recording and reproducing — Digital techniques

Sound

General Notes:

Includes bibliographical references and index.
Description based on: Vendor-supplied metadata.

Physical Description:

1 online resource : illustrations.

Digital Characteristics:

text file

Call Numbers:

TK7881.4 .R484 2018eb

ISBNs:

9781119482680 (electronic bk.)
1119482682 (electronic bk.)
9781119467014 (electronic bk.)
1119467012 (electronic bk.)
9781786301314 [Invalid]
9781119482628 [Invalid]
1119482623 [Invalid]

OCLC Numbers:

1018307633