More Details

Summary:

"When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England', this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art"-- [Provided by publisher]

Table of Contents:

• Director's Foreword
• Introduction
• Chronology
• Pre-Raphaelite Models / Jan Marsh
• Elizabeth Siddal
• Christina Rossetti
• Effie Gray Millais
• Brotherhoods & Artistic Masculinities / Peter Funnell
• Annie Miller
• Fanny Cornforth
• Joanna Boyce Wells
• Beyond the Parlour / Pamela Gerrish Nunn
• Fanny Eaton
• Jane Morris
• Georgiana Burne-Jones
• Model Wives & Mistresses / Charlotte Gere
• Maria Zambaco
• Marie Spartali Stillman
• Evelyn De Morgan
• The Sisterhood & its Afterlife / Alison Smith.

Contributors:

Marsh, Jan, 1942- , contributor

Funnell, Peter, 1956- , contributor

Gere, Charlotte , contributor

Nunn, Pamela Gerrish , contributor

Smith, Alison, 1962 May 30- , contributor

National Portrait Gallery (Great Britain) , issuing body, publisher, organizer, host institution, http://id.loc.gov/vocabulary/relators/isb, http://id.loc.gov/vocabulary/relators/pbl, http://id.loc.gov/vocabulary/relators/orm, http://id.loc.gov/vocabulary/relators/his

Languages:

English

Language Notes:

Item content: English

Subjects:

Pre-Raphaelites — Exhibitions

Pre-Raphaelites — Criticism and interpretation

Women artists — England — History — 19th century — Exhibitions

Pre-Raphaelites — Relations with women — Exhibitions

Women in art — Exhibitions

Figurative painting, English — 19th century — Exhibitions

1800-1899

Criticism and interpretation

Women artists

Pre-Raphaelites — Relations with women

Women in art

Figurative painting, English

Pre-Raphaelites

Great Britain

England

Genres:

Exhibition catalogs

History

General Notes:

Includes bibliographical references (pages 194-196) and index.
Published on the occasion of an exhibition held at the National Portrait Gallery, London, England, United Kingdom, October 17, 2019-January 26, 2020.

Physical Description:

207 pages : illustrations (chiefly color) ; 29 cm

Physical Characteristics:

illustration

Call Numbers:

N6767.5.P7 P734 2019

ISBNs:

1855147270 (hardcover)
9781855147270 (hardcover)
1855147920 (paperback)
9781855147928 (paperback)

OCLC Numbers:

1096471723