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Summary:

"In this comprehensive and highly interdisciplinary companion, contributors reflect on remix across the broad spectrum of media and culture, with each chapter offering in-depth reflections on the relationship between remix studies and the digital humanities. The anthology is organized into sections that explore remix studies and digital humanities in relation to topics such as archives, artificial intelligence, cinema, epistemology, gaming, generative art, hacking, pedagogy, sound, and VR, among other subjects of study. Selected chapters focus on practice-based projects produced by artists, designers, remix studies scholars, and digital humanists. With this mix of practical and theoretical chapters, editors Navas, burrough and Gallagher offer a tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities, functioning as an ideal reference manual to this evolving area of study across the arts, humanities, and social sciences. This book will be of particular interest to students and scholars of digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digital media studies"-- [Provided by publisher]

Table of Contents:

• Epistemology and theory
• Accessibility and pedagogy
• Modularity and ontology
• Aurality and visuality.

Contributors:

Navas, Eduardo , editor

Gallagher, Owen, 1980- , editor

burrough, xtine , editor

Languages:

English

Language Notes:

Item content: English

Other Related Resources:

Print version: The Routledge handbook of remix studies and digital humanities (New York : Routledge, 2021 — ISBN 9780367361426; LCCN 2020055919)

Subjects:

Appropriation (Art)

Digital humanities

Remix History and criticism

General Notes:

Includes bibliographical references and index.
Description based on online resource; title from digital title page (viewed on February 22, 2021).
Eduardo Navas is Associate Research Professor of Art at The School of Visual Arts at The Pennsylvania State University, PA. He implements methodologies of cultural analytics and digital humanities to research the crossover of art and media in culture. His production includes art and media projects, critical texts, and curatorial projects. Navas is co-editor of The Routledge Companion to Remix Studies (2015), Keywords in Remix Studies (2018), and has published extensively on remix theory and practice. He is Research Faculty in the College of Arts and Architecture's Art & Design Research Incubator (ADRI). Owen Gallagher is Programme Manager and Assistant Professor of Web Media at Bahrain Polytechnic, where he lectures in film, sound, animation, and game design. He is the author of Reclaiming Critical Remix Video (2018), and co-editor of Keywords in Remix Studies (2018) and The Routledge Companion to Remix Studies (2015) with Eduardo Navas and xtine burrough. He has published a number of book chapters, journal articles, and conference papers on remix culture, intellectual property, and visual semiotics, and is particularly concerned with the changing role of copyright in the networked era. xtine burrough is Professor and Area Head of Design + Creative Practice in the School of Arts, Technology, and Emerging Communication at UT Dallas, and she is the Director of LabSynthE, a laboratory for creating synthetic, electronic poetry. She uses emerging technologies and remix as a strategy for engaging networked audiences in critical participation. She is the author of Foundations of Digital Art and Design with Adobe Creative Cloud, 2nd Edition, and co-editor of The Routledge Companion to Remix Studies and Keywords in Remix Studies with Eduardo Navas and Owen Gallagher.

Physical Description:

1 online resource (xxx, 562 pages) : illustrations

Digital Characteristics:

text file

Call Numbers:

NX197 .R68 2021eb

ISBNs:

9780429355875 (electronic book)
0429355874 (electronic book)
9781000346701 (electronic bk., Mobipocket)
1000346706 (electronic bk., Mobipocket)
9781000346725 (electronic bk., EPUB)
1000346722 (electronic bk., EPUB)
1000346684 (electronic bk., PDF)
9781000346688 (electronic bk.)
9780367361426 (hardcover) [Invalid]
9780367698805 (paperback) [Invalid]

Library of Congress Control Numbers:

2020055920

OCLC Numbers:

1227865379