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Table of Contents:

• I. Guillaume de Machaut and his age. A vous douce debonaire / Jehan de Lescurel
• Hareu! hareu! le feu/Helas! ou sera pris confors ; Amours me fait desirer (ballade) ; Trop plus est belle/Biauté paree/Je ne sui mie certeins / Machaut
• Amis tout dous vis / P. des Molins
• Se ma dame m'a guerpy ; Se je souspir ; Dame se vous m'estés lointeinne ; Quant je sui mis au retour ; Mes esperis se combat ; Ma fin est mon commencement ; Douce dame jolie ; De bon espoir/Puis que la douce rousee ; De toutes flours ; Quant Theseus-Ne quier veoir / Machaut
• La septime estampie real / anonymous
• Quant j'ay l'espart ; Phyton le mervilleus serpent / Machaut
• Armes amours/O flour des flours / F. Andrieu.
• II. Late 14th century avant garde. A l'arme a l'arme / Grimace
• Phiton Phiton / Franciscus
• Two variants on the tenor "Roussignoulet du bois". Hé trés doulz roussignol /Borlet ; Ma tredol rosignol / attributed Borlet
• Fumeux fume / Solage
• De home vray / Johannes de Meruco
• Istampitta Tre fontane / anonymous
• Ma douce amour / Johannes Symonis Hasprois
• Trés doulz amis/Ma dame/Cent mille fois / Jehan Vaillant
• Plasanche or tost / Pykini
• Amour m'a le cuer mis / Anthonello de Caserta
• Tribum quem / anonymous
• Helas! je voy mon cuer / Solage
• Contre le temps / anonymous

• Andray soulet ; Le greygnour bien / Matteo da Perugia
• Restoés restoés / anon.
• III. The court of Burgundy. Ce moys de may ; La belle se siet / Dufay
• Je ne fai tousjours que penser ; Files a marier ; Amoreux suy et me vient toute joye ; Je loe amours et ma dame mercye / Binchois
• Navré je sui d'un dart penetratif ; Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O tres piteulx/Omnes amici) / Dufay
• La spagna : variant I / anonymous
• Par droit je puis bien complaindre ; Donnés l'assault / Dufay
• Vostre trés doulx regart / Binchois
• Helas mon dueil / Dufay
• Bien puist / Binchois
• Vergine bella / Dufay
• La spagna : variant II / anonymous.

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Contributors:

Munrow, David , conductor

Early Music Consort of London , instrumentalist, http://id.loc.gov/vocabulary/relators/itr

Languages:

French, Old (ca. 842-1300)

Language Notes:

Vocal works sung principally in Old French.

Other Related Resources:

Source record: Art of courtly love [Early Music Consort of London] (London, England : Virgin Classics, 1996, p1973 — OCLC Number 36265654)

Related Series:

David Munrow edition [by Munrow, D.]

Veritas (London, England)

Alternate Titles:

French secular music (1300-1475)

Subjects:

Music — France — 500-1400

Music — France — 15th century

Polyphonic chansons

Motets

Basse danse (Dance)

Estampies

500-1499

Music

France

Performers:

The Early Music Consort of London ; David Munrow, director.

General Notes:

Chiefly polyphonic chansons, motets, ballades, rondeaux, virelais, and dances, performed in various instrumental and vocal combinations.
Recorded 1972 November-December and 1973 January Abbey Road Studios, London.
Description based on hard copy version record.

Physical Description:

1 online resource (1 audio file).

Audio Characteristics:

digital

Digital Characteristics:

audio file

Call Numbers:

Online Audio

Other Standard Numbers:

International Standard Recording Code: GBAYD9600408
International Standard Recording Code: GBAYD9600409
International Standard Recording Code: GBAYD9600410
International Standard Recording Code: GBAYD9600411
International Standard Recording Code: GBAYD9600412
International Standard Recording Code: GBAYD9600413
International Standard Recording Code: GBAYD9600414
International Standard Recording Code: GBAYD9600415
International Standard Recording Code: GBAYD9600416
International Standard Recording Code: GBAYD9600417
International Standard Recording Code: GBAYD9600418
International Standard Recording Code: GBAYD9600419
International Standard Recording Code: GBAYD9600420
International Standard Recording Code: GBAYD9600421
International Standard Recording Code: GBAYD9600422
International Standard Recording Code: GBAYD9600423
International Standard Recording Code: GBAYD9600407
International Standard Recording Code: GBAYD9600424
International Standard Recording Code: GBAYD9600425
International Standard Recording Code: GBAYD9600426
International Standard Recording Code: GBAYD9600427
International Standard Recording Code: GBAYD9600428
International Standard Recording Code: GBAYD9600431
International Standard Recording Code: GBAYD9600432
International Standard Recording Code: GBAYD9600433
International Standard Recording Code: GBAYD9600434
International Standard Recording Code: GBAYD9600435
International Standard Recording Code: GBAYD9600436
International Standard Recording Code: GBAYD9600437
International Standard Recording Code: GBAYD9600438
International Standard Recording Code: GBAYD9600439
International Standard Recording Code: GBAYD9600440
International Standard Recording Code: GBAYD9600441
International Standard Recording Code: GBAYD9600442
International Standard Recording Code: GBAYD9600443
International Standard Recording Code: GBAYD9600444
International Standard Recording Code: GBAYD9600445
International Standard Recording Code: GBAYD9600446
International Standard Recording Code: GBAYD9600448
International Standard Recording Code: GBAYD9600449
International Standard Recording Code: GBAYD9600450
International Standard Recording Code: GBAYD9600451
International Standard Recording Code: GBAYD9600452
International Standard Recording Code: GBAYD9600453
International Standard Recording Code: GBAYD9600454
International Standard Recording Code: GBAYD9600455
International Standard Recording Code: GBAYD9600456
International Standard Recording Code: GBAYD9600457
International Standard Recording Code: GBAYD9600458
International Standard Recording Code: GBAYD9600469
International Standard Recording Code: GBAYD9600459
Publisher Number, Virgin Classics: 0724356128453

OCLC Numbers:

884341004