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Table of Contents:

• Balades a III chans. Helas pitié envers moy dort si fort / Trebor (5:58) ; Se Alexandre et Hector fussent en vie / Trebor (12:52)
• Tout par compas suy composés / Baude Cordier (2:05)
• Adieu vous di, tres doulce compaynie (3:20) / anonymous
• Rondeau-refrain (1:46) ; Pres du soloil deduissant s'esbanoye (9:54) / Matteo de Perugia
• Io vegio per stasone / Antonio da Cividale (2:26)
• Lamech, Judith et Rachel de plourer (3:12) ; Le mont Aon de Thrace, doulz pais (11:02) / anonymous
• Se Zephirus, Phebus et leur lignie / Magister Grimace. (4:41).
• Fleurs de vertus: refinement in songs of the late Gothic. Pictagoras Jabol et Orpheüs / Johannes Suzoy (7:16)
• S'aincy estoit que ne feust la noblesce / Solage (10:57)
• Bobik blazen / anonymous (1:39)
• Va t'en, mon cuer, aveuc mes yeux / Gacian Reyneau (4:11)
• Se July Cesar, Rolant et roy Artus (10:44) ; En seumeillant m'avint une vesion (8:03) / Trebor
• Sub Arturo plebs vallata/Fons citharizancium/In omnem terram exivit / Johannes Alanus (4:40)
• Par les bons Gedeon et Sanson delivré / Philipoctus de Caserta (7:00)
• En Albion de fluns environée / anonymous (3:33)
• Tres gentil cuer / Solage (3:51)
• Il n'est nulz homs en ce monde vivant / Philipoctus de Caserta (10:42).
• En doulz chastel de pavie: music at the court of Gian Galeazzo Visconti c. 1400. De ma doulour / Philipoctus de Caserta (8:41)
• La fiamma del to amor / Johannes Ciconia (2:32)
• La harpe de mélodie / Jacob Senleches (4:12)

• Istanpitta Isabella / anonymous (7:19)
• En remirant / Philipoctus de Caserta (10:54)
• Le ray au soleyl / Johannes Ciconia (1:30)
• Chanconeta tedescha tenor / anonymous (2:26)
• Sus une fontayne / Johannes Ciconia (8:16)
• Constantia (3:18) ; Chanconeta tedescha tenor (2:21) / anonymous
• En attendant souffrir / Philipoctus de Caserta (9:11).
• Corps femenin: Duke John of Berry's lyrical avant-garde. Angelorum psalat tripudium / Rodericus (5:47)
• Principio di virtu / anonymous (6:43)
• Fuions de ci fuions povre compaigne / Senleches (9:13)
• Or voit tout en aventure / Guido (2:42)
• Passerose de beauté la noble flour / Trebor (9:37)
• Medee fu en amer veritable / anonymous (6:16)
• Tel me voit et me regarde / Senleches (3:46)
• Quant joyne cuer en may est amoureux / Trebor (8:08)
• Corps femenin par vertu de nature / Solage (3:04)
• Calextone qui fut dame darouse / Solage (3:26)
• Passerose flours excellente / anonymous (0:58)
• Roses et lis ay veu en une flour / Magister Egidius Augustinus (8:06).

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Contributors:

Fleagle, John , honouree

Schröder, Karl-Ernst , honouree

Schickhaus, Karl-Heinz , honouree

Young, Crawford , conductor

Trebor, active 14th century

Cordier, Baude, active 15th century

Matteo, da Perugia, -approximately 1418

Antonius, de Civitate Austrie, active 1420-1425

Grimace, active 1350-1375

Susay, Johannes, active 14th century-15th century

Solage, active 1370-1390

Reyneau, Gacien, approximately 1370?-

Alanus, J.

Philipoctus, de Caserta

Ciconia, Johannes, approximately 1335-1411

Jacob, de Senleches, active 1378-1395

Rodericus, active 14th century

Guido, active 1372-1374

Egidius, Magister

Ferrara Ensemble , performer, http://id.loc.gov/vocabulary/relators/prf

Musée Condé > Bibliothèque

Languages:

French, Middle (ca. 1300-1600)
Latin

Language Notes:

Sung in Middle French and Latin.

Included Works:

Helas! pitie envers moy dort si fort [by Trebor]

Se Alixandre et Hector [by Trebor]

Tout par compas suy composés [by Cordier, B.]

Rondeau-refrain [by Matteo, da Perugia]

Pres du soloil [by Matteo, da Perugia]

Jo vegio per stasone [by Antonius, de Civitate Austrie]

Se Zephirus, Phebus et leur lignie [by Grimace]

Pictagoras, Jabol et Orpheus [by Susay, J.]

S'aincy estoit [by Solage]

Va t'en mon cuer [by Reyneau, G.]

Se July Cesar [by Trebor]

En seumeillant [by Trebor]

Sub Arturo plebs/Fons citharisancium/In omnem terram [by Alanus, J.]

Par les bons Gedeon [by Philipoctus, de Caserta]

Tres gentil cuer [by Solage]

Il n'est nulz homs en ce monde vivant [by Philipoctus, de Caserta]

De ma dolour [by Philipoctus, de Caserta]

En remirant vo douce pourtraiture [by Philipoctus, de Caserta]

En atendant, souffrir m'estuet [by Philipoctus, de Caserta]

Fiamma del to amor che già me strinze [by Ciconia, J.]

Ray au soleyl qui dret som kar meyne [by Ciconia, J.]

Sus un' fontayne [by Ciconia, J.]

Harpe de mellodie [by Jacob, de Senleches]

Angelorum psalat tripudium [by Rodericus]

Fuions de ci, fuions [by Jacob, de Senleches]

Or voit tout en aventure [by Guido]

Passerose de beauté [by Trebor]

Tel me voit [by Jacob, de Senleches]

Quant joyne cuer en may est amoureux [by Trebor]

Corps femenin [by Solage]

Calextone qui fut [by Solage]

Roses et lis ay veu en une flour [by Egidius, Magister]

Adieu vous di

Medee fu en amer veritable

Principio di virtu

Istampitta Isabella

Mont Aon de Thrace

Lamech, Judith et Rachel

Chançoneta tedescha

Constantia

En Albion de fluns environée

Bobik blasen

Related Works:

Manuscript [Musée Condé, Bibliothèque] > 564

Other Related Resources:

Source record: Figures of harmony (OCLC Number 903648006)

Subjects:

Polyphonic chansons

Vocal music — 500-1400

Instrumental music — 500-1400

500-1400

Vocal music

Instrumental music

Genres:

Polyphonic chansons

Performers:

Ferrara Ensemble ; Crawford Young, conductor.

General Notes:

Vocal and instrumental selections principally from the Codex Chantilly.
Compilation of previously released materials (℗1995 (A 32), ℗1996 (A 40), ℗1998 (HMC 905241), ℗2010 (A 355)).
Dedicated to the memory of John Fleagle, Karl-Ernst Schröder, and Karlheinz Schickhaus.
Recorded at Church of St. Germanus, Seewen (Soleure).
(Balades a III chans) recorded 1994 March 21-24.
(Fleurs de vertus) recorded 1996 January 8-11.
(En doulz chastel de pavie) recorded 1997 June.
(Corps femenin, track 1) recorded 2009 February 16.
(Corps femenin, tracks 2, 7, 9, 10) recorded 2008 December 7.
(Corps femenin, remainder) recorded 2000 March 22-25.
Description based on: Hard copy version record.

Physical Description:

1 online resource (1 audio file)

Audio Characteristics:

digital

Digital Characteristics:

audio file

Call Numbers:

Online Audio

Other Standard Numbers:

International Standard Recording Code: FR46Y9438201
International Standard Recording Code: FR46Y9438202
International Standard Recording Code: FR46Y9438203
International Standard Recording Code: ITS660900063
International Standard Recording Code: ITS660900062
International Standard Recording Code: ITS660900061
International Standard Recording Code: ITS660900060
International Standard Recording Code: ITS660900059
International Standard Recording Code: ITS660900058
International Standard Recording Code: ITS660900057
International Standard Recording Code: ITS660900056
International Standard Recording Code: ITS660900055
International Standard Recording Code: ITS660900054
International Standard Recording Code: ITS660900053
International Standard Recording Code: ITS660900052
International Standard Recording Code: FRZ149777110
International Standard Recording Code: FRZ149777100
International Standard Recording Code: FRZ149777090
International Standard Recording Code: FRZ149777080
International Standard Recording Code: FRZ149777070
International Standard Recording Code: FRZ149777060
International Standard Recording Code: FRZ149777050
International Standard Recording Code: FRZ149777040
International Standard Recording Code: FRZ149777030
International Standard Recording Code: FRZ149777020
International Standard Recording Code: FRZ149777010
International Standard Recording Code: FRW189600011
International Standard Recording Code: FRW189600010
International Standard Recording Code: FRW189600009
International Standard Recording Code: FRW189600008
International Standard Recording Code: FRW189600007
International Standard Recording Code: FRW189600006
International Standard Recording Code: FRW189600005
International Standard Recording Code: FRW189600004
International Standard Recording Code: FRW189600003
International Standard Recording Code: FRW189600002
International Standard Recording Code: FRW189600001
International Standard Recording Code: FR46Y9438210
International Standard Recording Code: FR46Y9438209
International Standard Recording Code: FR46Y9438208
International Standard Recording Code: FR46Y9438207
International Standard Recording Code: FR46Y9438206
International Standard Recording Code: FR46Y9438205
International Standard Recording Code: FR46Y9438204
Publisher Number, Arcana: A382

OCLC Numbers:

923760144