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Table of Contents:

• Prologue. Por mal tens ne por gelee / Thibault de Champagne (:58)
• Armes. En ma dame/Trop souvent me dueil / anonymous (3:06). Abundance de félonie / Jehan l'Escurel (3:00). Vous arez la druerei/Vous n'alès pas / anonymous (2:06). Se par force de merci / Gauthier d'Espinal (2:57). Aussi comme unicorne sui / Thibault de Champagne (3:16). Or est baiars en la pasture / Adam de la Halle (2:39). Saltarello (3:40) ; Souvent souspire (2:16) / anonymous. Prendes i garde/Prennès i garde / Guillaume d'Amiens/anonymous (1:43). Li dous regars de ma dame / Adam de la Halle (1:25). Jamais ne serai saous /anonymous (1:08). Se par force de merci / Gauthier d'Espinal (1:37). En l'an que chevalier sont / Huon d'Oisy (3:39)
• Amours. Aussi comme unicorne sui : (reprise) / Thibault de Champagne (3:46). Toute soule (1:12) ; Trois serors sor rive mer (1:41) ; Le robardel (2:06) ; En ce dous temps d'esté (extrait) (9:59) / anonymous. Dame par vos dous regars (2:15) ; Bien se lace (2:13) / Jehan l'Escurel. Le chapelet/La sestieme estampie real (3:01) ; Au renouvel (3:01) / anonymous. Bonne amourette / Adam de la Halle (2:18). C'est la fin/La quarte estampie real / anonymous (1:44)
• Coda. Por mal tens ne por gelee / Thibault de Champagne (1:35).

Contributors:

Azéma, Anne , conductor

Bretel, Jacques

Aziman (Musical group) , performer, http://id.loc.gov/vocabulary/relators/prf

Languages:

French, Old (ca. 842-1300)

Language Notes:

Sung in Old French.

Related Works:

Based on: Tournoi de Chauvency [by Bretel, J.]

Related Series:

Mémoire musicale de la Lorraine

Subjects:

Trouvère songs

Monophonic chansons

Part songs, French

Music — France — 500-1400

Love songs

Poetry, Medieval

500-1400

Music

France

Performers:

Ensemble Aziman ; Anne Azéma, director.

General Notes:

Recorded 2007 March 5-9 church of Saint-Pierre-aux-Nonnnains, Metz.

Physical Description:

1 online resource (1 audio file).

Audio Characteristics:

digital

Digital Characteristics:

audio file

Call Numbers:

Online Audio

Other Standard Numbers:

International Standard Recording Code: USB8U1802495
International Standard Recording Code: USB8U1802496
International Standard Recording Code: USB8U1802497
International Standard Recording Code: USB8U1802498
International Standard Recording Code: USB8U1802499
International Standard Recording Code: USB8U1802500
International Standard Recording Code: USB8U1802501
International Standard Recording Code: USB8U1802502
International Standard Recording Code: USB8U1802503
International Standard Recording Code: USB8U1802504
International Standard Recording Code: USB8U1802505
International Standard Recording Code: USB8U1802506
International Standard Recording Code: USB8U1802507
International Standard Recording Code: USB8U1802508
International Standard Recording Code: USB8U1802509
International Standard Recording Code: USB8U1802510
International Standard Recording Code: USB8U1802511
International Standard Recording Code: USB8U1802512
International Standard Recording Code: USB8U1802513
International Standard Recording Code: USB8U1802514
International Standard Recording Code: USB8U1802515
International Standard Recording Code: USB8U1802516
International Standard Recording Code: USB8U1802517
International Standard Recording Code: USB8U1802518
International Standard Recording Code: USB8U1802519
International Standard Recording Code: USB8U1802520
Publisher Number, Phaia Music: K617197

OCLC Numbers:

1128823947