Polyphony in medieval Paris: the art of composing with plainchant

Catherine A. Bradley

Resource Type:: Book (Print/Paper)
Publication:: Cambridge, United Kingdom ; New York : Cambridge University Press, 2018
Copyright:: ©2018
Related Series:: Music in context

No items found. Please contact the Willis Library Service Desk for assistance

Table of Contents:: Introduction
Plainchant in polyphony : The Gradual Propter veritatem in organa, clausulae, and motets
Mini clausulae and the Magnus liber organi
Texting clausulae : repetition and regularity on the REGNAT tenor
Framing motets : quoting and crafting refrains against plainchant tenors
Intertextuality, song, and female voices in motets on a St. Elizabeth of Hungary tenor
From Florence to Fauvel : rereading musical paradigms through a long-lived IOHANNE motet
Conclusions.
Author/Creator:: Bradley, Catherine A. , author
Languages:: English
Language Notes:: English text.
Main Work:: Polyphony in medieval Paris: the art of composing with plainchant [by Bradley, C.A.]
Related Series:: Music in context
Subjects:: Music — 500-1400 — History and criticism
Motets — 500-1400 — History and criticism
Clausulas (Part songs) — History and criticism
500-1400
Motets
Clausulas (Part songs)
Music
Genres:: Criticism, interpretation, etc.
General Notes:: Includes bibliographical references (pages 258-269) and indexes.
Physical Description:: xvii, 281 pages : music ; 26 cm.
Call Numbers:: ML172 .B82 2018
ISBNs:: 9781108418584 (hardcover, alkaline paper)
1108418589 (hardcover, alkaline paper)
9781108314183 (PDF ebook) [Invalid]
9781108290456 (ebook) [Invalid]
Other Standard Numbers:: [Unknown Type]: 40028460941
Library of Congress Control Numbers:: 2018013738
OCLC Numbers:: 1029771003