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Summary:

Abstract: In the Dallas/Fort Worth (DFW) do-it-yourself (DIY) punk scene, participants attempt to adhere to notions of authenticity that dictate whether a band, record label, performance venue, or individual are in compliance with punk philosophy. These guiding principles champion individual expression, contributions to one's community (scene), independence from the mainstream music industry and consumerism, and the celebration of amateurism and the idea that everyone should "do it yourself." While each city or scene has its own punk culture, participants draw on their perceptions of the historic legacy of punk and on experiences with contemporaries from around the world. For this thesis, I emphasize the significance of performance spaces and the sonic aesthetic of the music in enacting and reinforcing notions of punk authenticity. The live performance of music is perceived as the most authentic setting for punk music, and bands go to great lengths to recreate this soundscape in the recording studio. Bands achieve this sense of liveness by recording as a group, rather than individually for a polished studio sound mix, or by inviting friends and fans into the studio to help record a live show experience. House venues have been key to the development of the DFW scene with an emphasis on individual participation through hosting concerts in their homes. This creates a stronger sense of community in DIY punk performance. Through participation observation, interviews, analysis of source materials, as well as research in previous Punk scholarship, questions of authenticity, consumerism, and technology and sound studies, this thesis updates work on the experience of sound, listening, and the importance of space in DIY punk communities today.

Table of Contents:

• Introduction
• Performing authenticity in the DFW punk scene
• Crafting a scene: the importance of house shows
• Performing live: the genesis of authenticity
• Sounding live and the punk studio experience
• Conclusion.

Author/Creator:

Peters, Sean (Sean Louis) , author

Contributors:

Ragland, Cathy , major professor

Languages:

English

Language Notes:

Item content: English

Main Work:

Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock [by Peters, S.]

Related Series:

NT thesis, Music (Complete); [volume] 2017

Subjects:

Ethnomusicology

Punk rock music

Punk culture

Punk rock musicians

Genres:

Academic theses

Dissertation Notes:

M.A. ― University of North Texas, 2017.

General Notes:

Discipline: Ethnomusicology.
Includes bibliographical references (pages 89-96).
Description based on: Online resource; title from PDF title page (UNT Digital Library, viewed April 8, 2020).

Physical Description:

1 online resource (iv, 97 pages) : illustrations.

Digital Characteristics:

text file

Call Numbers:

Electronic Thesis

OCLC Numbers:

1269309429