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Summary:

Studying improvised music is always a challenge, due to its volatility and unpredictability. But what about studying musical improvisation from before the age of sound recordings? In this book three experts give their view on aspects of musical improvisation in the late medieval, renaissance, and early baroque periods. Historical sources show us how improvisation was an integral part of music education and how closely improvisation and composition were linked. This gives new insights into the way music was played in its original historical context and a new way to look at written scores from the past.0This book will appeal to anyone interested in the historical background of our written musical heritage, and to musicians who want to gain a deeper insight in the way this music was created.

Table of Contents:

• What is counterpoint? / Rob C. Wegman
• "Ex centro" improvisation : sketches for a theory of sound progressions in the early baroque / Johannes Menke
• From improvisation to composition : three 16th century case studies / Peter Schubert.

Contributors:

Wegman, Rob C.

Menke, Johannes, 1972-

Schubert, Peter, 1946-

Languages:

English

Language Notes:

English text.

Included Works:

What is counterpoint? [by Wegman, R.C.]

"Ex centro" improvisation [by Menke, J.]

From improvisation to composition [by Schubert, P.]

Related Series:

Collected writings of the Orpheus Institute; #11

Subjects:

Improvisation (Music)

Music — 15th century — History and criticism

Music — 16th century — History and criticism

Music — 17th century — History and criticism

1400-1699

Music

Genres:

Criticism, interpretation, etc.

General Notes:

Includes bibliographical references.

Physical Description:

133 pages : 1 illustration, music ; 24 cm.

Call Numbers:

ML430.7 .I45 2014

ISBNs:

9789058679970 (pbk.)
9058679977 (pbk.)

OCLC Numbers:

897734548