More Details
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Summary:
- Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.
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Table of Contents:
- Machine generated contents note: 1. Introduction: Homosexual Bodies/Embodied Homosexuality
- 2. Music, Form, Penetration
- 3. Phantom Faggots
- 4. Corporeal Intentions
- 5. Gay-Made Space
- 6. Conclusion: The Eloquence of Flesh.
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Language Notes:
- Item content: English
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General Notes:
- Includes bibliographical references and index.
Description based on print version record.
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Physical Description:
- 1 online resource.
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Digital Characteristics:
- text file
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Call Numbers:
- ML3917.R8 A45 2014eb
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ISBNs:
- 9780252096143 (electronic bk.)
0252096142 (electronic bk.)
9780252038273 [Invalid]
0252038274 [Invalid]
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OCLC Numbers:
- 880926926
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Other Control Numbers:
- 780608 (source: EbpS)
[Unknown Type]: ybp11832535
