Visualities: perspectives on contemporary American Indian film and art
edited by Denise K. Cummings
- Resource Type:
- Book (Print/Paper)
- Publication:
- East Lansing : Michigan State University Press, [2011]
- Copyright:
- ©2011
- Related Series:
Availability
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- Table of Contents:
- Introduction: Indigenous visualities
- pt. 1. Indigenous film practices
- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja
- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne
- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst
- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli
- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey
- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper
- pt. 2. Contemporary American Indian art
- Indigenous semiotics and shared modernity / Dean Rader
- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin
- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler
- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.
- Contributors:
- Languages:
- English
- Language Notes:
- Item content: English
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- Subjects:
- Genres:
- General Notes:
- Includes bibliographical references and index.
- Physical Description:
- xxiv, 243 pages : illustrations ; 23 cm.
- Call Numbers:
- E98.A73 V57 2011
- ISBNs:
- 9780870139994 (paper, alk. paper)
0870139991 (paper, alk. paper) - Library of Congress Control Numbers:
- 2010051908
- OCLC Numbers:
- 1053065619
687649975 [Invalid]